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The Dark Knight
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Directed by Christopher Nolan
Christopher Nolan steps back into the director's chair for this sequel to Batman Begins, which finds the titular superhero coming face to face with his greatest nemesis -- the dreaded Joker. Christian Bale returns to the role of Batman, Maggie Gyllenhaal takes over the role of Rachel Dawes (played by Katie Holmes in Batman Begins), and Brokeback Mountain star Heath Ledger dons the ghoulishly gleeful Joker makeup previously worn by Jack Nicholson and Cesar Romero. Just as it begins to appear as if Batman, Lt. James Gordon (Gary Oldman), and District Attorney Harvey Dent (Aaron Eckhart) are making headway in their tireless battle against the criminal element, a maniacal, wisecracking fiend plunges the streets of Gotham City into complete chaos. ~ Jason Buchanan, All Movie Guide
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by SpoutBlog in SpoutBlog on spout.com
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"Earlier this week, I recommended 10 movies for Democrats to watch. So, to balance things out and hopefully show a lack of bias, I’ve now selected 10 recommendations for Republicans, too. This was actually the more difficult task, because there are so many classic films that display conservative values — and in the 1980s alone, I think there were about a billion films promoting relatively right-wing lifestyles and ideas. Therefore, I’ve limited my picks to the last two decades, except for one un " [More]
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"In the new movie Eagle Eye, three characters participate in a re-creation of the famous crop duster sequence from Hitchcock’s North by Northwest. Only the plane from NbN has been replaced with an electrical tower and power lines, and it takes Shia LaBeouf, Michelle Monaghan and Anthony Azizi to perform Cary Gran’t part (Azizi also substitutes for the pilot and the farmer, I guess). Such an homage is not surprising coming from director D.J. Caruso, whose last picture, Disturbia, is currently inv " [More]
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"We were invited to a Warner Bros. event tonight to see 26 minutes worth of footage from the Watchmen film that’s due out on 03.06.09 next year, and it was pretty impressive stuff. Even the ice cold comic book fan inside of me enjoyed it, and I didn’t think The Dark Knight was worth all the hype everyone was laying on it. As far as a graphic novel turned into a film goes, Watchmen looks like it’ll set the bar for future adaptations. Director Zack Snyder was on-hand to setup the footage and tal " [More]
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"With Halloween less than a month away, it’s time to start thinking about what to go as. That is, if you haven’t already. A good costume-loving cinephile typically knows well in advance what he or she will dress up as for Halloween (and Comic-Con, too). But if you’re one to wait until the last minute, and also one who likes to be a lot more contemporary than, say, dressing up as a Ghostbuster or Edward Scissorhands, I’ve got some suggestions for you for costumes based on recent films. Check them " [More]
docpotatodocpotato The Dark Knight
by docpotato in One Movie a Week
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"Batman Begins, the reboot of the Batman franchise that precedes The Dark Knight, was a novel take on the whole Batman mythos. It spent most of its running time justifying the wackiness of a dude putting on a costume and fighting crime in real-world terms. It was also the first Batman movie that (finally) correctly identified that Batman does, in fact, have a super power, after all--he's rich. Playing with themes of noblesse oblige and grounding the action in the landscape of an urban crime d " [More]
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TheWorkingDeadTheWorkingDead Re:THE DARK KNIGHT
by TheWorkingDead in The Imagination of Fantasy
"[quote user="Risselada"] And when you consider that The Dark Knight was #1 on the IMDB top 250 list for a while and is still up at #3 as I type this, that's a retarded ammount of hype. [/quote] You might be happier now that The Shawshank Redemption is back at number one. I bring that up because it's ridiculous to use IMDB as a gauge of how hyped a movie is. I mean, have you seriously looked at that list? Or read any of the comment threads about the films? One of the top " [More]
RisseladaRisselada Re:THE DARK KNIGHT
by Risselada in The Imagination of Fantasy
"[quote user="TheWorkingDead"] [quote user="Risselada"] And when you consider that The Dark Knight was #1 on the IMDB top 250 list for a while and is still up at #3 as I type this, that's a retarded ammount of hype. [/quote] You might be happier now that The Shawshank Redemption is back at number one. I bring that up because it's ridiculous to use IMDB as a gauge of how hyped a movie is. I mean, have you seriously looked at that list? Or read any of the comment threads a " [More]
TheWorkingDeadTheWorkingDead Re:THE DARK KNIGHT
by TheWorkingDead in The Imagination of Fantasy
"[quote user="Risselada"] Maybe we just have different definitions of what hype is. Are you saying there wasn't a lot of hype surrounding The Dark Knight? What movie do you think did have a lot of hype? [/quote] I'm actually using this as a reply to both of your posts, because I think this will be a catch-all to kinda settle what I was a bit vague about earlier. I hope, sometimes I try to clear things up and they just get more confusing. I thought, after watching The Dark Knight, " [More]
RisseladaRisselada Re:THE DARK KNIGHT
by Risselada in The Imagination of Fantasy
"[quote user="TheWorkingDead"] [quote user="Risselada"] Maybe we just have different definitions of what hype is. Are you saying there wasn't a lot of hype surrounding The Dark Knight? What movie do you think did have a lot of hype? [/quote] I'm actually using this as a reply to both of your posts, because I think this will be a catch-all to kinda settle what I was a bit vague about earlier. I hope, sometimes I try to clear things up and they just get more confusing. I thought, " [More]
SkyPilotSkyPilot Re:Weekly Theme for September 8 ...
by SkyPilot in Weekly Theme
"Ocean's 13 is a heist movie with a social conscience, and that makes it my favorite. Favorite heist scene? Gotta be The Dark Knight, seeing the Joker ensure he's the only surviving robber. Heat has two really gripping heist scenes (the money truck and the bank). The bank heist explodes into one of the most intense & realistic action sequences I've ever seen. I didn't like Before the Devil Knows You're Dead very much, but it includes a heart-wrenching scene of a heist gone wrong. I don't " [More]
All Movie Guide Logo
Review by All Movie Guide
All Movie Guide
liked it.
The caped crusader gets a stunning dose of hardcore dramatics in The Dark Knight, director Christopher Nolan's ambitious follow-up to Batman Begins. Hailed as the first real big-screen adult take on a popular comic mythos, the film goes to great lengths to show that costumed characters can indeed exist in genres outside of their comfort zone -- which in this case, spells gritty crime drama. Nolan's Gotham City might be beautiful, but it's decaying from the inside out -- as are most of the people in control of it. So at what point do the efforts of a costumed vigilante cease to have an impact on the city he vows to protect -- and when does his mere presence become a detriment to that society? It's these kinds of hefty issues that embody what could accurately be touted as a reinvention of the entire superhero film altogether. Thick with rich dramatics, daring performances, and a few knockout scenes of action gusto, The Dark Knight strives to not only one-up its predecessor, but also to lay down a measuring stick of quality for the rest of Hollywood to live up to. Viewers' strong reactions to the picture likely have a lot to do with the casting. Heath Ledger's sad passing gives his fearless performance -- and in effect, the movie -- a sense of importance that is hard to counter. For his part, the talented performer gives a full-on show each time he is onscreen. His approach to this anarchist embodiment of The Joker is something truly special to behold and easily one of the boldest portrayals in comic-to-screen history. Take him away and there's still plenty of A-game being brought to the screen, thanks to the talents of Michael Caine, Maggie Gyllenhaal, Gary Oldman, Morgan Freeman, and Aaron Eckhart, whose solid performance as Harvey Dent makes up the tragic backbone of the film. For his part, Christian Bale does a fine job embodying the lonesome hero of his city, even if he persists in giving Batman's voice the same guttural growl that hurt his performance the first time around. Thankfully, the costume has been given an overhaul to address some of the "rubber suit" issues that have plagued the franchise since its Tim Burton days. Yet just as Burton reshaped the character to fit his own gothic tastes, so does Christopher Nolan paint a picture all his own. By luring audiences in with a consistently light first half and then turning things bleaker as the movie progresses, the filmmaker has created a truly engrossing tale of modern decay. By the end, much has changed and no one is left unscathed. It's not an easy story to either tell or sit through. There are casualties -- and this most certainly is not a crowd-pleaser in the typical sense of the word. By eschewing what many others in his field are doing with similar comic properties and seeking out his inspiration elsewhere, Nolan shows that mature thematic material can have new life when adapted for even the most beloved heroes of the printed page. Critically, he does overshoot things a bit by bringing in slightly heavy-handed messages into the final chunk of the film -- and it seems that a few characters really get the short end of the stick (Scarecrow, anyone?). Perhaps the rumored three-hour cut would iron out a few of the film's issues, including rushed character arcs and especially one seemingly needless late set piece. The action, while improved in this installment, also is a bit hampered by some confusing techno-gadgetry (in one of the only moments where the action is dictated by fantastic spectacle). Still, with its virtuoso vision and near avant-garde score from James Newton Howard and Hans Zimmer fueling the picture's ever-growing dread, The Dark Knight stands on its own in a world full of easy entertainment. Perhaps someday someone will be able to happily marry the best that both Nolan and Burton have brought to the screen -- until then, this remains an impressive feat of studio-backed artistry. Like its own crime-fighter, the movie is a symbol that aspires to greater things; where it will lead is anyone's guess. ~ Jeremy Wheeler, All Movie Guide
 

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