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Some Came Running
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Directed by Vincente Minnelli.
After the success of From Here to Eternity, pairing Frank Sinatra with another James Jones novel made perfect sense. Set in the aftermath of World War II, the film stars Sinatra as a recently discharged soldier whose promising writing career has derailed. After a drunken card game, Sinatra finds himself aboard a bus for his Indiana hometown of Parktown, with recent acquaintance Shirley MacLaine in tow. An unrefined good-time girl, MacLaine allows her affections to settle on the hard-drinking Sinatra, who wants little to do with her as he reluctantly sets about re-establishing ties he thought to have abandoned over a decade before. These include a brother (Arthur Kennedy) unable to discard his salesman's persona, his disapproving wife (Leora Dana), and their teenage daughter (Betty Lei Keim). Meanwhile, Sinatra makes a variety of new acquaintances both respectable and otherwise, including a local gambler (Dean Martin) and a creative writing instructor (Martha Hyer) smitten with his writing and possibly with him. Shaking up the complacency of his small hometown more by accident than design, Sinatra forces all those around him to reevaluate their behavior. After a variety of smaller parts, this is the role that cemented MacLaine's name, earning her an Oscar nomination for Best Actress. ~ Keith Phipps, All Movie Guide
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SpoutBlogSpoutBlog Star-making as Fetish: The Bad ...
by SpoutBlog in SpoutBlog on spout.com
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"With a five-day tribute to director Vincente Minnelli’s melodramas starting tonight at Anthology Film Archives, I stayed up late last night to watch The Bad and the Beautiful on TCM On Demand. The Bad and the Beautiful marked Minnelli’s first real success as a director of “serious”, non-musical pictures. It’s less self-assured than Some Came Running (to my mind, the masterpiece of Minnelli’s melodramas), but seemingly a hell of a lot more personal. Released in 1952, it was the director’s follow-up to the Oscar-winning An American in Paris, and it landed smack dab in the middle of a series of Hollywood elegies to Hollywood. In both tone and function, The Bad and the Beautiful can be seen as a bridge between Sunset Boulevard (1950) and A Star is Born (1954). If Billy Wilder’s Sunset represented Golden Era Hollywood at the height of its self-loathing, and George Cukor’s Star both satirized and condemned Hollywood’s ability to mobilize that self-loathing into reification of its foundin ... " [More]
JymkataJymkata Where can you see these movies????
by Jymkata in Grand Rapids Trading Post
is neutral about it.
"I started this group because there is a large local connection on Spout of Grand Rapids, Michigan users. Even with DVD releases every week there are quite a few movies that remain unavailable to rent at GRPL, Netflix, or Blockbuster online. This group is not intended to be an ebay or take the place of Spout's purchasing service, but to connect users to other users who will lend or give a copy of a desired film so it can be watched. All right, I'll kick this off. These are the movies I cannot find - if you have a copy or know where to locate one(without having to spend $20 or more online) please let me know. 1. The Magician (1958) 2. Bad Ronald 3. Billy the Kid and the Green Baize Vampire 4. Brighton Rock 5. Cobra Woman (1944) 6.Cul-de-sac (1966) 7. Edge of Darkness (1943) 8. Ice Cold in Alex 9. Man of Iron (1981) 10. Ministry of Fear 11. Murder by Contract 12. Skin Game 13. The Blue Dahlia 14. The Crimson Kimono 15. The Fugitive (1948) 16. The Lusty Men (1952) 17. The Phenix City S ... " [More]
Review by All Movie Guide
All Movie Guide
is neutral about it.
Inhibited by its era from playing out the messy relationships of James Jones' novel in all their explicitness, director Vincente Minnelli finds a means of using this to his advantage in Some Came Running, constructing an unsettling melodrama of suggestion and understatement. Minnelli presents a post-war American Anytown that keeps its inhabitants' desires in check through a policy of mutual assured destruction. Even though he rarely acts directly, returning native son Frank Sinatra's arrival upsets the delicate balance of those around him, reminding brother Arthur Kennedy of his lost passion, catalyzing new buddy Dean Martin's destructive tendencies, and encouraging the self-sacrificing habits of girlfriend Shirley MacLaine. A film that only makes sense in widescreen, Minnelli skillfully composes his frames to illustrate the space between his subjects. There's as much drama made of two people traversing the distance between them as some films derive from gunfights. Working against expectations of tidy resolutions and happy endings, its sympathetic but destructive characters demand the loose ends of its conclusion. ~ Keith Phipps, All Movie Guide
 



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